It’s difficult to write down a line
of what has just been heard, and continue listening at the same time. It reminds me of amateur interpreting I used
to do sometimes – must have been better at it then. I did manage a few lines of Kim Simonsen from
the Faroe Islands who came with no books in English, only the promise of some future
poems in a Stanford-based magazine called Mantis. In the festival world of accessible poetry,
this is good: it creates demand.
In the
poems Simonsen read yesterday he builds up (it seemed to me) a succession of statements
describing what landscape and/or wildlife are doing, interspersed and
juxtaposed with statements about the experience of being in the world. Humorous, ominous, metaphysical: sometimes all
at once. Brown killer slugs – an invasive
species I think – figured several times, and there is a sense of rising waters. The English language versions by Randi Ward are clear and
simply worded.
Simonsen left the Faroes when he was
19 and has since lived mostly in Copenhagen, an island city itself. He has recently been returning to the Faroes as
a visitor. These are all quotes from
various poems and I’ll only risk a quite possibly wrong line break on the last
one, since I don’t know where these are.
I hope the quotes themselves are accurate:
A land is a construct that has to be
recreated each day.
Each day ends more quickly than it
begins.
We are mostly viscous liquid, even
your eyes that I love so much owe their glisten to fish oil.
In this new millennium slime is
going to surge through the ages.
I feel at home on an island
only on an island.
Simonsen only read a couple of poems
in Faroese, which was a shame – its sounds were very listenable to. Poets writing in languages other than English
so often do this. They are probably
influenced by the well-known monoglot perspective of native English
speakers. But it’s so good for the ears and
mind to listen differently, without straightforward comprehension, for a
while.
Anyway, I have just found this from a Stanza-related blog, you can read it better at the link.
Rising waters. We will think about these, in the context of islands and the festival theme of archipelagos, from 12.40 – 12.50pm exactly today – in the Byre theatre courtyard. To coincide with the big climate change march in London, StAnza and St Andrews Green week will make an archipelago. Stanzaites, please come along and bring the name of an island, writ large. An island you know is under threat from climate change, or any island because ultimately which one is not? A poem about rising waters will be read, and we will all hold up our islands. Come along even without an island because the StAnza office has been writing down islands too.
Photo by Josh Redman |
Claire Trévien’s shipwrecked house was
picked up by the sea and “thrown back like a gutted fish”. She performed her book, The Shipwrecked House, on the Byre stage yesterday. The stage was a beach of manmade things, strewn
with pieces of old luggage and other household objects veiled in sheets and
fishing nets, washed up by the sea or transformed by memory. Suitcases contained old books or dusty mirrors. She spoke of her Gran’s house, its knitted mermaids
and stairs made of shipwreck, and invoked Breton myth. All this to a soundtrack of waves and
haunting music.
The book-into-one-woman-show idea
worked. The poems had been, as Claire
said afterwards, cut and pasted to make the text. I particularly enjoyed the way she dramatised
her poem about whales living under the family house. “Their fins
sliced through conversations.” And here’s another quote without line breaks,
because I didn’t bring her book with me.
An anchor on every roundabout
weighed down by corroding flowers to remind us that the sea will rise
again.
Carolyn Forché… I don’t know what to
say about her reading. The poetry world
is overfull of superlatives. In the
packed Byre theatre she leaned forward into the microphone. Unforgettable voice, presence and poems. Oh – and she was in dark grey and black apart
from the laces on her shoes, which glowed luminous dark blue in the shadow of
the lectern. She read several new poems. One I particularly liked involved an East
European friend returning to his country of origin, and losing a suitcase on
the way.
Gone is your atlas of countries
unmarked by war.
Another was (I think) called ‘The
Museum of Stones’. Everyone should have
their own museum and unlike a friend who has stones from all over the world, she
has three grocery bags full of stones, including one that fell off the
Louvre. And I’ve just found the poem
online, here at the New Yorker! But here
are the quotes I managed to down.
Stones loosened by tanks in the
streets.
…
Stone of the mind within us
carried from one silence to another.
…
Stone from the tunnel lined with
bones.
First stop this morning: 10am poetry
breakfast with island poets, Simonsen, Christine de Luca, Kei Miller and Bill
Manhire. The chairs in the Byre studio
theatre where this daily event takes place are very comfortable, and you get
offered a coffee and pastry – free gift from St Andrews pastry makers Fisher
& Donaldson. The event is sold out
but can be followed live, here or here. Yesterday’s entertaining discussion on Unfinished Business
is unfinished business for this blog, alas.
The
StAnza blog is here: Read it this morning to find out how you can become the
Wild-Card StAnza Slam Judge for 2015.
Dear Fiona
ReplyDelete'A quite possibly wrong line break'. Whatever next? I too collect small stones from the various countries we visit. It's good to hear that you're enjoying yourself in St Andrews. Please give my regards to Nell Nelson when you next bump into her over coffee and pastries.
Best wishes from Simon R. Gladdish
P.S. I dag er min fødselsdag.